Live engineering,
with studio experience.
If you need a passionate and dependable sound engineer for FOH, monitors, theatre, festival crew, stage management or artist liaison, look no further. Jess Wright Audio can adapt to almost any event environment and stick right in. Or if events arent your forté, book them for any of your studio needs, whether thats recording, mixing or mastering... lets utilise that studio production degree!
FOH Mixing
Front-of-house mixing focused on musical balance, intelligibility and impact.
Monitor Engineering
Stage mixes built around the needs of each performer and the demands of the show.
Patch Engineering
Usually pairing with Monitor engineering, plugging in the inputs and outputs, running ethercon signal from FOH to stage
System Support
Setup, line checks, system optimisation and practical troubleshooting.
Event Production
Technical support across planning, changeovers, show operation and load-out.
Live Recording
Capture performances for review, content, archives or future production.
Prepared before the doors open.
Good live sound starts before soundcheck. I aim to understand the artist, the room, the system and the running order before the first audience member arrives.
Recording
Front-of-house mixing focused on musical balance, intelligibility and impact.
Mixing
Stage mixes built around the needs of each performer and the demands of the show.
Mastering
Setup, line checks, system optimisation and practical troubleshooting.
Music and Sound Production BA Hons
Bachelor of Arts with Honours in Music and Sound Production completing the course with a First Class with Honours degree.
Earning an 85 in Live Sound Engineering clearly shows how naturally this work comes especially with the feedback recieved.